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FREE ESSAY ON MEDICI PATRONAGE

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The Cultural Patronage of the De' Medici
An examination of the contribution of the De' Medici family in 15th century Florence, Italy to the Renaissance. -- 1,687 words; APA

Lorenzo De Medici & Italian Art
Cultural background, role of Medici patronage in art of Renaissance in Florence, politics, humanism, major artists & works. -- 1,575 words;

The Patronage System and Renaissance Literature
An overview of the influence of the patronage system on English Renaissance writers. -- 2,603 words; MLA

Art in 15th Century Florence, Italy
Reasons for flowering of art, political background, Medici family patronage. -- 2,700 words;

Medici Family
A discussion of the art patronage of the Medicis during the Baroque period. -- 2,875 words; MLA

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MEDICI PATRONAGE

Cosimo de' Medici (1389?1464), the fabulously wealthy banker who became the leading
citizen of Florence in the fifteenth century, spent lavishly as the city' s most
important patron of art and literature. This remarkable book is the first comprehensive
examination of the whole body of works of art and architecture commissioned by Cosimo and
his sons. By looking closely at this spectacular group of commissions, we gain an
entirely new picture of their patron and of the patron' s point of view. Recurrent themes
in the commissions--from Fra Angelico' s San Marco altarpiece to the Medici
Palace--indicate the main interests to which Cosimo' s patronage gave visual expression.
Dale Kent offers new insights and perspectives on the individual objects comprising the
Medici oeuvre by setting them within the context of civic and popular culture in early
Renaissance Florence, and of Cosimo' s life as the leader of the Medici lineage and the
dominant force in the governing elite. 
From the wealth of available documentation on Cosimo de' Medici' s life, the author
considers how Cosimo' s own experience influenced his patronage; how the culture of
Renaissance Florence provided a common idiom for the patron, his artists, and his
audience; what he preferred and intended as a patron; and how focusing on his patronage
of art alters the image of him that is based on his roles as banker and politician.
Cosimo was as much a product as a shaper of Florentine society, Kent concludes. She
identifies civic patriotism and devotion as the main themes of his oeuvre and argues that
religious imperatives may well have been more important than political ones in shaping
the art for which he was responsible and its reception

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