FREE ESSAY ON MEDICI PATRONAGE |
College Term Papers - Instant Download(sponsored links) The Cultural Patronage of the De' MediciAn examination of the contribution of the De' Medici family in 15th century Florence, Italy to the Renaissance. -- 1,687 words; APA Lorenzo De Medici & Italian Art Cultural background, role of Medici patronage in art of Renaissance in Florence, politics, humanism, major artists & works. -- 1,575 words; The Patronage System and Renaissance Literature An overview of the influence of the patronage system on English Renaissance writers. -- 2,603 words; MLA Art in 15th Century Florence, Italy Reasons for flowering of art, political background, Medici family patronage. -- 2,700 words; Medici Family A discussion of the art patronage of the Medicis during the Baroque period. -- 2,875 words; MLA |
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MEDICI PATRONAGECosimo de' Medici (1389?1464), the fabulously wealthy banker who became the leading citizen of Florence in the fifteenth century, spent lavishly as the city' s most important patron of art and literature. This remarkable book is the first comprehensive examination of the whole body of works of art and architecture commissioned by Cosimo and his sons. By looking closely at this spectacular group of commissions, we gain an entirely new picture of their patron and of the patron' s point of view. Recurrent themes in the commissions--from Fra Angelico' s San Marco altarpiece to the Medici Palace--indicate the main interests to which Cosimo' s patronage gave visual expression. Dale Kent offers new insights and perspectives on the individual objects comprising the Medici oeuvre by setting them within the context of civic and popular culture in early Renaissance Florence, and of Cosimo' s life as the leader of the Medici lineage and the dominant force in the governing elite. From the wealth of available documentation on Cosimo de' Medici' s life, the author considers how Cosimo' s own experience influenced his patronage; how the culture of Renaissance Florence provided a common idiom for the patron, his artists, and his audience; what he preferred and intended as a patron; and how focusing on his patronage of art alters the image of him that is based on his roles as banker and politician. Cosimo was as much a product as a shaper of Florentine society, Kent concludes. She identifies civic patriotism and devotion as the main themes of his oeuvre and argues that religious imperatives may well have been more important than political ones in shaping the art for which he was responsible and its reception |
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