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FREE ESSAY ON PARADISE LOST

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John Milton's Personal Influence on the Writing of "Paradise Lost"
A look at John Milton's political and religious forum in the novel "Paradise Lost". -- 2,280 words;

"Paradise Lost" and "Paradise Regained" by John Milton
Assesses the changes in the characterization of Satan in John Milton's "Paradise Lost" and "Paradise Regained". -- 1,575 words;

"Paradise Lost"
A look at the aspect of human drama in John Milton's epic poem "Paradise Lost". -- 1,597 words; MLA

Milton's "Paradise Lost"
Discusses how Milton used "Paradise Lost" as a forum for his own views. -- 2,280 words;

Satan, the Protagonist of "Paradise Lost"
A dissection of John Milton's "Paradise Lost" to uncover the sources of Satan’s heroism. -- 1,032 words; MLA

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PARADISE LOST

Paradise Lost
Milton writes Paradise Lost in the tradition of a classic epic poem. All epic poems
contain some common features. Milton follows this outline with great precision and style.
His poem uses the guidelines of an epic poem and elaborates upon them to make his poem
one of the most popular epics written. In his poem, Milton uses the key points of an epic
poem when he traditionally invokes a muse to speak through him, includes great deeds of
valor, long speeches, and a list of the protagonists 
Milton follows the tradition of epic poetry when he asks a muse to speak through him. It
is clear that for Milton it is the poet's submission to the voice of his muse, to divine
inspiration, which ultimately distinguishes the soaring creation of Paradise Lost from an
insulting speculation of what happens in the Garden of Eden. Milton does not, however,
present the hymn of a heavenly muse as his only defense against presuming too much.
Through the book, he remains sensitive to the relationship between himself as poet and
his center of attention. While he insists on the honest intentions of what he undertakes,
he never neglects to expose the satanic aspect of his poetic posture. In this way Milton
differs a slightly from a traditional epic. Instead of speaking through Milton, the muse
is more of a second person that inspires Milton. Never the less, Paradise Lost still
follows the outline of a customary epic poem.
Another part of a traditional epic poem is that the hero must perform great deeds of
valor to defeat the villain. Milton wants his readers to be forced to face the problem of
Satan seeming invincible. Satan is, after all, an angel. He is a mighty angel that is
removed from Heaven. In order for us to see the power of God, it is necessary that Satan
also be powerful. It is important that Satan, a parody of God, is viewed as an eloquent,
bold being; one that possesses superhuman strength, extraordinary martial prowess, and
fortitude so that he can be a foil to show how great God is. In order for God to vanquish
and control this awesome being, his characteristics must exceed the characteristics of
Satan. Therefore, it emphasizes the great valor God possesses to successfully defeat
Satan in their battle. 
One of the last characteristics that this poem demonstrates that are typical of an epic
poem is the long list of the protagonists that the plot involves accompanied by long
speeches by the main characters. Milton dedicates a large portion of the first book of
the series to a catalogue of the fallen angels. The numbers of angels that are listed are
used to give the reader the notion of being overwhelmed by the mass number of villains.
He also provides extended formal speeches by the main characters. It is on the basis of
the eloquence and power of those speeches that much of the personality of the characters
is shown. This listing of villains and long, profound speeches verifies that this poem
fits every description of an epic poem.
When Milton writes Paradise Lost he uses a general outline that will categorize his poem
as an epic poem. He elaborates on the general characteristics of an epic poem including
the relationship between the muse and him. They are shown as two separate people with the
muse as the higher being. Obviously, in spite of some adjustments and alterations, Milton
undeniably uses classical epic traits. Milton builds his epic out of views of the past
and uses every feature of epic poetry that can possibly be used. 


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