FREE ESSAY ON VIETNAM: AMERICA'S FIRST ROCK-AND-ROLL WAR

VIETNAM: AMERICA'S FIRST ROCK-AND-ROLL WAR

Vietnam: America's First Rock-and-Roll War
The Vietnam War could not compare to any other war the United States had seen
before. The average age of soldiers was 19, and some figures gather that 90 percent were
all under the age of 23. This was also the first war in which the GIs listened to
antiwar
and protest songs while fighting in the conflict. In previous wars, the music had always
been supportive, more or less hiding the truth of what was really going on. With Vietnam
it actually told the soldiers and their families what was really happening: murdering
innocent people for a lost or unknown reason. Like may people back home, many GIs
brought their taste of music into the front lines. Rock was the most popular type of
music
at that time.
World War II was different from the Vietnam War in that the forties witnessed a
unified mission of fighting fascism and Nazism. In the latter stages of the Vietnam War,
there was no such unity of purpose. Music has always provided need relief during
wartime, but in W.W.II, and Korea there was not the separation in musical preference
between enlisted men and officers that occurred during the Vietnam War. Soldiers often
complained that Armed Forces Vietnam Radio broadcasts were geared to officers, with
light classical music scattered among what the soldiers called "lame, tennybopperish,
polka
party, or bubble-gum music." One soldier, who spoke anonymously in Rolling Stone,
called Armed Forces Radio the "world's *censored*tiest, small-town, Midwest,
old-women-right-wing, plastic, useless, propagandizing, bummer, unturned-on, controlled,
low-fidelity, non-stereo type of music ever." According to an interview in Rolling
Stone,
most enlisted men preferred hard rock or psychedelic music; 30 percent enjoyed rhythm
and blues; 10 percent country; 5 percent classical and 10 percent folk. There were many
different types of rock music. However, the most popular was protest music. During the
late 1960s, the rock culture and protest music became known as Anti-Vietnam and
non-violent music. One such protest song "The Times They are a-Changin" written by
Bob Dylan in 1964, with its lyrics "gave a warning to authority that America was
experiencing a new consciousness, and that the establishment (government) have to face
the opposition of much of the population, especially in the young." This helped the
flower
children expand not only their minds, but the ideas of sexual liberation, personal
liberation,
and the ideas of peace and love. Many of the songs written during this era were written
to
imply what life was like in Vietnam. Such songs as "Purple Haze" by Jimi Hendrix had the
allusion of the purple smoke left on the landing zones. In another song, "Magical
Mystery
Tour" by The Beatles, the lines "coming to take you away, dying to take you away," held
special meaning for those Marines at the Khe Sanh, because the government forced them
to go to war, and they were literally "dying" to be taken away.
Many Asian bands tried to imitate British and American rock groups and perform
such songs as "San Francisco" (Be Sure to Wear Some Flowers in Your Hair), "Hey
Jude," "Simon Says," "Gloria," and "Black Is Black." These poor recreations gave the
soldiers a glimmer of home and hope. These types of songs protested against the innocent
slaughter of American men, as well as Vietnamese men who were forced to fight against
one another. The decade of the sixties brought with it the idea of drugs, sex and
rock-and-roll - which was what was really going on not only at home, but on the
battlefield. The black market and prostitution allowed the soldiers some freedom to get
away from the killing.
The music of Vietnam was nothing like anything ever seen before. What was
actually happening out on the field was what the musicians were actually singing about. 
But did music really contribute to the ending of the war? Did the concepts of free love
and peace help? Whether the music actually changed minds or not, there is no doubt that
it helped those that were involved in it feel like they actually did something
worthwhile. 
They were not just sitting home pretending that absolutely nothing was happening; they
were fighting their own battle: a battle against the establishment and those who
mistakenly claimed to know what was right and what was wrong.